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Hiligaynon Literature
LEONCIO P. DERIADA(1992)


         The influence of English literature, especially in the short story, became pronounced in the 1960's when Hiligaynon writers became more aware of formalist guidelines like characterization, local color and irony. The short story became popular while the novel with Muzones, Yap and Norada at the helm kept its position. Emerging from the sixties are important names of the present: Nilo P. Pamonag, Lucila V. Hosillos, Mario L. Villaret, Romeo Garganera, Ner E. Jedeliz, Jr., Quin Baterna and Jose Ali Bedaño who wrote under the name of Julius Flores. Two prominent women novelists are Ismaelita Floro-Luza of Roxas City and Ma. Luisa Defante-Gibraltar of Bacolod.

         Yuhum stopped publication in the sixties and resumed during Martial law. Hiligaynon closed during Martial law and resurrected in 1989.


         The Cory Revolution of 1986 is an important milestones in the history of Hiligaynon literature. Because of the new management of the Cultural Center of the Philippines and the creation of the Presidential Commission for Culture and the Arts which later became the National Commission for Culture and the Arts, new writing and new writers have been born. The CCP and the NCCA have become truly the people's patrons of the arts by paving the way for the creation of regional and local art councils, providing writing grants to writers of marginalized languages, supporting workshops and publications and conferring awards. Competitions likewise have had their share in the ferment of new writing. Most significant is the inclusion of the Hiligaynon short story, alongside that of Cebuano and Iluko, in the Palanca Awards since 1997.






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